Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Pieter Cornelisz. van Slingelandt
Pieter Cornelisz van Slingelandt

ID: 80856

Pieter Cornelisz. van Slingelandt Pieter Cornelisz van Slingelandt
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Pieter Cornelisz. van Slingelandt Pieter Cornelisz van Slingelandt


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Pieter Cornelisz. van Slingelandt

(20 October 1640 - 7 November 1691) was a Dutch Golden Age painter. According to Houbraken, his teacher was Gerard Dou, who he imitated so well that many of his works were later misattributed to him. According to Houbraken he was rather introverted and very methodical and conscientious, spending months on his works and striving for perfection. Houbraken especially liked a piece where a maid holds a mouse by the tail as a cat jumps for it. Houbraken wrote that while Slingelandt was working on a family portrait for the gentleman Francois Meerman (1630-1672),   Related Paintings of Pieter Cornelisz. van Slingelandt :. | A young lacemaker is interrupted by a birdseller who offers her ware through the window | Breakfast of a Young Man | Pieter Cornelisz van Slingelandt | Pieter Cornelisz van Slingelandt | Breakfast of a Young Man |
Related Artists:
Hans Jordaens
(1555 - 1630), was a Flemish Baroque painter whose religious works are often confused with that of other painters with the same name.
Lippo Memmi
active in Tuscany 1317-1347
Marlow, William
English, 1740-1813 English painter. From c. 1756 to 1761 he was a pupil of Samuel Scott, the topographical and marine painter; he also studied at the St Martin's Lane Academy, London. Throughout his career Marlow made oils and watercolours of London views, for example Near Westminster Bridge, Evening (London, Guildhall A.G.), which shows his balanced, classical sense of composition, sensitivity to lighting effects and smooth handling of oil paint. Between 1765 and 1766 Marlow travelled in France and Italy, making numerous drawings of ruins, which provided the subjects for many paintings finished on his return to London. An Oxcart in the Grotto of Posillipo (c. 1770; New Haven, CT, Yale Cent. Brit. A.) exemplifies his bold, blue-toned watercolour style, with washes applied in loose blotches to emphasize the picturesque roughness of masonry and terrain. The handling has much in common with Canaletto, whom Marlow copied; a letter of 1771 from Horace Walpole to Sir Horace Mann (see 1956 exh. cat., p. 3) records that two views of Verona by Marlow were mistakenly sold as Canalettos. Marlow specialized in souvenirs of the Grand Tour, portraits of country houses, seascapes and river scenes. He visited many parts of Britain and Ireland in search of subjects, such as Powys Castle, Montgomeryshire (U. Manchester, Whitworth A.G.).






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